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Italian painter Gentile da Fabriano Renaissance Painting

29 Aug

Adoration of the Magi shows the impacts that international and Sienese schools make on Gentile’s art. Fabriano combines his painting style with the Renaissance new styles. This work describes the three Magi are on their way to the large meeting with the Virgin Mary and the Jesus. As we can see from this painting, all the figures are in splendid and delightful costumes. Adoration of the Magi is the most common themes in the paintings of the Renaissance.

The figures portrayed are the well-dressed king, courtiers and attendants as well as animals like horses, cattle and sheep. The colors of the entire Fabriano painting including people, animals and environment are resplendent and magnificent. This actually depicts the luxury scene of knight etiquette in middle ages so as to beautify and eulogize the pious feelings of the nobility to the Virgin Mary and the Jesus.

Adoration of the Magi

Adoration of the Magi






The Madonna of Foligno by Rafael

8 Aug

At this time, Raphael was exposed to the various painting techniques that a lot of artists gradually used in Rome and he found something new from these artists. In this Rafael painting, the influence of new Venice school, Bellini and Giorgione for Raphael in the color: in the misty landscapes and in the subtle color changes, the characters were much closer and shinning through the warm brown, grey, silver blue, and bright red of skins.

This painting was made during Raphael most passionate stage of his short and splendid life which was equivalent to his great attempt for Vatican Palace murals. It was ordered by St. Kandy who was the secretary of Pope Giulia II and the humanist. Struck by lightening in Flagon’s home, but St. Kandy could survive the fire and customized this religious painting to Madonna.

The worshiper in the right of the painting was St. Kandy, and on the left were Saint Francis and St. John. From the central green hills, St. Kandy’s home surrounded by mist could be seen, the rainbow hanging above and the orange ray fireball seemingly falling on the top of his house. The Madonna and child surrounded by the circular light appeared in the sky with monochrome blue angels around. The circular light, rainbow and close shot grasslands corresponded with the upper semicircle curve. Raphael used the crystal-like structure in this monumental work, which was learned from the works of Piero della Francesca and Perugino.

The Madonna of Foligno

The Madonna of Foligno